I’m here at the Columbia University Law School at a conference put on by Peter Kaufman’s Intelligent Television, with help from Jeff Ubois: "Video, Education and Open Content: Best Practices -- Production, Distribution, Technology and Law". It's going on today and tomorrow.
The conference began with opening remarks from Frank Moretti, department head of Columbia’s Center for New Media Teaching and Learning.
The challenge is then set for the audience by Cathy Casserly of the William and Flora Hewlett Foundation:
"The world is changing quickly and dynamically. How are our institutions? We haven’t integrated what we’ve learned from YouTube and MySpace into the classroom in an exciting way. How do we begin to make this more pervasive?
"It’s not just about putting out great content, it’s about discoverability and use. People need to find it, this is a problem that has plagued the field. There are many gems out there, but they are difficult to find. The average teacher doesn’t have time to find this gem. We’ve been working with Google and other search engines to address this.
"CC Learn – Creative Commons Learn – 'seeks to create a single, standard licensing framework that can encompass all open educational resources (OERs).' They aim to compile a database of 5-10,000 URLs, we’ll have an OER (Open Educational Resources) search, sorting across multiple categories. If Yahoo or MSN wants to pick it up, we’ll be able to do that across the platforms. Please go in and populate some URLs so we have a full range of content in there!"
[Click to find content; or to license your work using this license. For more information about the Hewlett Open Educational Resources project: A PDF and a blog. Cathy has promised to send me the link to the OER collection when it goes live in a few weeks. Stay tuned for comments.]
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Peter Kaufman:
Instead of a world where the US military is not limiting servicepeople’s access to YouTube and MySpace, where The Learning Channel does not get rebranded "TLC" and show "Miami Ink" and "What Not to Wear" -- Imagine a world where the producers are on the same side as consumers, and video is as easy to create and redistribute as email is today.
Demand for online video has exploded - 100+ million videos watched on YouTube every day. The opportunities to produce video have exploded, with iMovie, Jumpcut, Grouper, VideoEgg, etc.
In under 20 years, an Ipod will be able to hold all information ever created, in all media formats.
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Peter Brantley from the Digital Library Foundation
Begins his talk by showing a brief clip [A Fair(y) Use Tale] using small slivers of animated Disney videos to argue against copyright – in Disney characters own words. The clip was made by the Fair Use Project at the Stanform Center for New Media.
"Libraries have become cafes, they serve muffins. Everyone has their laptop open and notes spread around, people are working together. They’re talking over their laptops. This is not the silent library I grew up with."
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Murray Weston, British Universities Film and Video Council
We’re a non-profit, but earn money and have subscribing members. We provide value to all universities in the UK, in particular things that need to be sustained and paid for.
Videos are very helpful in education, but their status in scholarship is not really a done deal. Unlike text. In the UK, there is no unified national catalog, poor research access, no inter-library loan, no arrangements for fair use (called fair dealing in the UK). There’s no culture for reference or review, rare integration with text sources, and poor to non-existent teacher training. Sadly.
They have TRILT – the television and radio index for learning and teaching.
They’re recording 44,000 hours a year of UK television, 7 channels 24/7. Would like to do more. It’s supported by subscription. You can set up a keyword search and our system will tell you what’s coming up on channels.
What if you breach rights? I have $10M worth of insurance from Lloyd’s, paid for by someone else. The UK government won’t take responsibility for anything.
We pay 100 pounds an hour for the rights in perpetuity. I don’t think that’s breaching any confidentiality. There’s a growing understanding of education’s needs. People’s careers are resting on this. There’s greater collaboration with owners. There are new licensing arrangements, and creative commons sharing licenses are coming forward. I see this as a patchwork quilt of delivery.
[Murray, who is a fine gentleman that I had dinner with last night, was hopefully not too taken aback when I interrupted his presentation to question the next thing he said. He said, after the patchwork quilt comment, that audiences could get free video wherever it was available, and the high-quality, high-value content from subscriptions and other paid venues. This implied that free video couldn’t or wouldn’t be as high quality as paid video, and I wanted to question that common assumption. I believe whether something is free or not should merely be a licensing decision on the part of the creator, and not a comment on the actual quality of the content. Too many old media companies are trying to position free content as bad content, and in fact, this need not be the case.]
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Paul Gerhard, BBC Creative Archive
70% TV, 30% radio. Doing a closed trial right now streaming video to a broadband audience of 20,000. Showing 50 hours available to the public, out of 1000 hours [that presumably will be available for a fee?]
He brings up the episode of BBC reporter John Sweeny, who was captured on video having an outburst during filming of a Scientology documentary. When the video was captured and posted on YouTube, the BBC had to respond to this YouTube video on YouTube, before the documentary was even broadcast. The footage of the BBC’s program had to be changed to include this outburst.
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